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Illusion - Is Seeing Really Believing?
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Illusion - Is Seeing Really Believing (1998)(Marshall Media)[Mac-PC].iso
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00151_Field_151.txt
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1996-12-31
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Clearly, then, there is
still much to learn about the
role of motion cues in depth
perception. My own view is that
the perceptual system strives to
solve the problem of what is
signified by the transforming
retinal image created by
motion. If the image is that of a
connected object (as in the
kinetic depth effect), a pattern
of shifting eccentric circles (as
in the stereokinetic effect), or
a gradient of texture motion, it
is likely that the perceptual
system will readily conceive of
the transforming image as
differing perspective
projections over time of a
three-dimensional array. But if
the pattern is a relatively
impoverished one of
unconnected elements, that
solution is not so readily
available--unless it is the
observer, not the display, that
is moving.
From this point of view,
depth perception is not an
inevitable solution to the
problem posed by the
transforming stimulus, but it is
the preferred one. Why it is
preferred we do not know.
Although progress has been
made in isolating the cues that
govern our perception of the
third dimension, little is
known about what happens
inside the head once the
stimulus information that
constitutes a cue is registered
on the retina. Experiments
designed to investigate this
issue suggest that the answer
may lie in some preference of
the mind for solutions that are
analogous to the principle of
parsimony in science. Consider
further the example given of
the kinetic depth effect. Why
does the transforming image
yield an impression of a rod
rotating in depth rather than
simply an object
simultaneously changing
length and orientation? The
answer could be that, for a
perceptual system that faces a
situation of ambiguity and
"knows" about perspective
foreshortening, the solution of
a rigid object rotating in the
third dimension is the one that
most elegantly accounts for the
facts. Later in this chapter, we
will see a similar issue arise
with regard to the pictorial
cues.